简介：在镰仓街道的一角，静静地坐落着一间默默经营旧书买卖的旧书店。　　这家店的主人是一位与旧书店完全不搭调的年轻貌美女子。只不过遗憾的是，女店主相当怯生，甚至让人为从事待客服务行业的她感到担心。　　然而，与待人冷淡的态度相反，她对书籍持有超乎一般人的异常热情，并拥有非比寻常的旧书知识。不论是什么样的谜团、秘密，只要是与旧书有关的事，她都能解开。　　这便是一本讲述“旧书与秘密”的故事

简介：

妻子香奈与女儿知纱和丈夫田原秀树生活在一起，但他们周围渐渐出现一些不可思议的事情，“对于被什么东西盯着的感觉”感到害怕的秀树，经人介绍认识了自由撰稿人野崎，野崎的女友真琴具有强大的灵力，她感受到那个神...

简介：

某大财团财阀之子久喜文宏，在11岁那年被父亲（村井国夫 饰）告知，他来到这个世上的目标就是要被打造成为足以给世人造成巨大灾难的极致之恶。为了让儿子完成蜕变，恶毒的父亲竟不惜玷污少年的初恋女孩香织。危机时刻，少年杀死了父亲，逃遁失踪。十几年后，长大了的文宏（玉木宏 饰）改头换面，以新谷弘一的名字展开新的生活。他千方百计找到香织（新木裕子 饰），从此逡巡在对方身边，为了保护香织不惜再度杀人。未过多久，知晓弘一过往人生的同父异母哥哥久喜干彦（仲村达也 饰）与策划颠覆日本的恐怖分子伊藤亮祐（吉泽亮 饰）勾结在一起，他们更将目标锁定在香织身上。弘一不得不与自己的过去以及黑暗的命运做个了断……

简介：

绫部真弥执导的剧情电影，由武田玲奈主演，该片根据川上亮的原著小说改编，2018年4月7日在日本上映。该片讲述女主角与小伙伴被强制加入恐怖的人狼游戏中。游戏分为人狼与村民，只有找出真相才能成为幸存者，而不想参加的人都会被杀死。

简介：

妻子香奈与女儿知纱和丈夫田原秀树生活在一起，但他们周围渐渐出现一些不可思议的事情，“对于被什么东西盯着的感觉”感到害怕的秀树，经人介绍认识了自由撰稿人野崎，野崎的女友真琴具有强大的灵力，她感受到那个神...

简介：

骇人视频不断被挖掘出来！数十年前的视频里面出现巨大的影子！提供者在接受采访时，突然有异状！是鬼的痕迹吗？行驶中的汽车玻璃上出现神秘的手印！本集收录：画了危险女子画像的朋友、空手道练习、员工旅游、铁道迷、浴缸里、幼儿园的运动会、废墟迷、烤肉后的回家路上讲鬼故事。

简介：

2016年10月上演并大获好评的同名舞台剧被改编成电影，故事和演员阵容均有新变化。该故事讲述的是在一个异常的世界里，少女们卷入一场致命游戏而进行的殊死斗争的故事。以NMB48的市川美织为首，共40名引领下一代的女演员齐聚一堂，她将与舞台版一样担任主角。她穿上各种各样的服装并展示了一些非常敏锐的动作。某天放学后，门胁濑名在屋顶上等待筒井弓立归还手帕，自己却睡着了。当她醒来时，发现自己被困在一所黑暗的学校里。校园内没有信号或电话接收。濑名发现一名女学生被割断了手......

简介：Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.　　“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.　　The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.