4
9.3

我们的费尔斯特先生去世了

导演:
伊日·门泽尔
主演:
博胡什·扎霍尔斯基,Svatava Hubeňáková
别名:
未知
9.3
4人评分
其它
语言
未知
上映时间
未知
片长
简介:
In beautiful sunny afternoon in Prague, a man of a certain age discusses his love of Provence. Suddenly, a black flag is suspended. The composer Foerster died.  Graduation film of director Jirí Menzel.
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6.8
上映时间:2025年03月03日
主演:瓦伦·达万,阿莉雅·布哈特,玛杜丽·迪克西特,桑杰·达特,阿迪亚·罗伊·卡普尔,库纳尔·赫姆,索娜什·辛哈,帕旺·乔普拉,伽罗·阿德瓦尼,Nida Bhatt,Neha Chawdhury,Pavail Gulati,Achint Kaur,Amit Singh Kharbanda,Rashmi Mukherjee,克里蒂·萨农,Hiten Tejwani,S.M.扎赫尔
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31
已完结
卡兰克
主演:瓦伦·达万,阿莉雅·布哈特,玛杜丽·迪克西特,桑杰·达特,阿迪亚·罗伊·卡普尔,库纳尔·赫姆,索娜什·辛哈,帕旺·乔普拉,伽罗·阿德瓦尼,Nida Bhatt,Neha Chawdhury,Pavail Gulati,Achint Kaur,Amit Singh Kharbanda,Rashmi Mukherjee,克里蒂·萨农,Hiten Tejwani,S.M.扎赫尔
8
9.3
正片
飞越疯人院
9.3
上映时间:2025年03月16日
主演:杰克·尼科尔森,丹尼·德维托,克里斯托弗·洛伊德,路易丝·弗莱彻,威尔·萨姆森,特德·马克兰德,布拉德·道里夫,斯加特曼·克罗索斯,迈克尔·贝里曼,彼得·布罗科,穆瓦科·卡姆布卡,威廉·达尔,乔西普·艾利克,西德尼·拉斯克,凯·李,德怀特·马费尔德,路易莎·莫里茨,威廉·雷德菲尔德,菲利普·罗斯,米米·萨奇席恩,文森特·斯卡维利,米斯·斯马尔,德罗斯·V·史密斯
简介:麦克墨菲(杰克·尼科尔森 Jack Nicholson 饰)为了逃避监狱里的强制劳动,装作精神异常,被送进了精神病院,他的到来,给死气沉沉的精神病院带来了剧烈的冲击。 麦克要求看棒球比赛的电视转播,挑战了医院严格的管理制度,受到护士长拉契特(路易丝·弗莱彻 Louise Fletcher 饰)的百般阻挠;麦克带领病人出海捕鱼,振奋了他们的精神,却让院方头痛不已。院方为了惩处麦克胆大妄为、屡犯院规,决定将他永远留在疯人院。生性自由的麦克再也无法忍受疯人院的生活,他联合病友,高大的印第安人“酋长”,开始自己的计划:飞越疯人院。 本片获1975年第48届奥斯卡最佳影片,最佳男、女主角,最佳导演和最佳改编剧本五项大奖。主人公“不自由,毋宁死”的精神在当今社会仍有很大的现实意义。
8
正片
飞越疯人院
主演:杰克·尼科尔森,丹尼·德维托,克里斯托弗·洛伊德,路易丝·弗莱彻,威尔·萨姆森,特德·马克兰德,布拉德·道里夫,斯加特曼·克罗索斯,迈克尔·贝里曼,彼得·布罗科,穆瓦科·卡姆布卡,威廉·达尔,乔西普·艾利克,西德尼·拉斯克,凯·李,德怀特·马费尔德,路易莎·莫里茨,威廉·雷德菲尔德,菲利普·罗斯,米米·萨奇席恩,文森特·斯卡维利,米斯·斯马尔,德罗斯·V·史密斯
7
8.9
已完结
倒计时
8.9
上映时间:2025年03月03日
主演:珍妮·艾加特,布莱恩·马歇尔,Clare Sutcliffe,西蒙·沃德
简介:The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
7
已完结
倒计时
主演:珍妮·艾加特,布莱恩·马歇尔,Clare Sutcliffe,西蒙·沃德